December 16, 2021 Fall/Winter 2021-22
Sharing some participant work from our Fall 2021 participants of our Recreating the Past class, where we study computational art from the past decades, and co-create our own computational art histories through recreating the works of artists who inspire us.
Kate Yourke recreates Vera Molnar's “Trapèzes inscrits 1/5” 1974:
![](https://prod-files-secure.s3.us-west-2.amazonaws.com/77ca4b85-795f-47db-acdd-f2a889574f86/64bf3f93-96b9-4927-add2-48d8becbcea7/RTP_Participant_Work-page-001.jpg?X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Content-Sha256=UNSIGNED-PAYLOAD&X-Amz-Credential=AKIAT73L2G45HZZMZUHI%2F20240727%2Fus-west-2%2Fs3%2Faws4_request&X-Amz-Date=20240727T090052Z&X-Amz-Expires=3600&X-Amz-Signature=b058ea883161437440c938139794e278c0f04967b8ab9534f7ac0542595f6306&X-Amz-SignedHeaders=host&x-id=GetObject)
![](https://prod-files-secure.s3.us-west-2.amazonaws.com/77ca4b85-795f-47db-acdd-f2a889574f86/b14209f7-cda5-4ce0-b21e-77e17e5c641a/RTP_Participant_Work-page-002.jpg?X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Content-Sha256=UNSIGNED-PAYLOAD&X-Amz-Credential=AKIAT73L2G45HZZMZUHI%2F20240727%2Fus-west-2%2Fs3%2Faws4_request&X-Amz-Date=20240727T090052Z&X-Amz-Expires=3600&X-Amz-Signature=cfa62cb211a3aa6d82b17a9cbad3bac3bba3e882a724e4cca74a2b2b29aba7cd&X-Amz-SignedHeaders=host&x-id=GetObject)
Heidi He recreates Lillian Schwartz’s “Pixillation” 1970 and Klimt “The Kiss” 1907:
![](https://prod-files-secure.s3.us-west-2.amazonaws.com/77ca4b85-795f-47db-acdd-f2a889574f86/0bb5acfb-3754-4bef-87b7-84ed53d2b06c/RTP_Participant_Work-page-003.jpg?X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Content-Sha256=UNSIGNED-PAYLOAD&X-Amz-Credential=AKIAT73L2G45HZZMZUHI%2F20240727%2Fus-west-2%2Fs3%2Faws4_request&X-Amz-Date=20240727T090052Z&X-Amz-Expires=3600&X-Amz-Signature=dac2aaeb6b2e80c9012a13b6a9a8c51ab788489bef43533a68885c1c27479ad8&X-Amz-SignedHeaders=host&x-id=GetObject)
![](https://prod-files-secure.s3.us-west-2.amazonaws.com/77ca4b85-795f-47db-acdd-f2a889574f86/352527b0-6ceb-452f-8473-fb174451a24d/RTP_Participant_Work-page-004.jpg?X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Content-Sha256=UNSIGNED-PAYLOAD&X-Amz-Credential=AKIAT73L2G45HZZMZUHI%2F20240727%2Fus-west-2%2Fs3%2Faws4_request&X-Amz-Date=20240727T090052Z&X-Amz-Expires=3600&X-Amz-Signature=3969d8b22a12fb9d7c570aa5feed3b49a022ca83fdba02bf53dc0f245d5da125&X-Amz-SignedHeaders=host&x-id=GetObject)
Jenna Murphy recreates Mary Ellen Solt “Geranium” 1963:
![](https://prod-files-secure.s3.us-west-2.amazonaws.com/77ca4b85-795f-47db-acdd-f2a889574f86/d847b691-d066-4041-9aaf-85bcfda39f44/RTP_Participant_Work-page-005.jpg?X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Content-Sha256=UNSIGNED-PAYLOAD&X-Amz-Credential=AKIAT73L2G45HZZMZUHI%2F20240727%2Fus-west-2%2Fs3%2Faws4_request&X-Amz-Date=20240727T090053Z&X-Amz-Expires=3600&X-Amz-Signature=ae1a945e2f6931390810e67019c57aaa89d0724967bb358653049ad2e1de5c80&X-Amz-SignedHeaders=host&x-id=GetObject)
![](https://prod-files-secure.s3.us-west-2.amazonaws.com/77ca4b85-795f-47db-acdd-f2a889574f86/94a14d0a-c7c8-4db2-bf01-50d3198e6612/RTP_Participant_Work-page-006.jpg?X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Content-Sha256=UNSIGNED-PAYLOAD&X-Amz-Credential=AKIAT73L2G45HZZMZUHI%2F20240727%2Fus-west-2%2Fs3%2Faws4_request&X-Amz-Date=20240727T090052Z&X-Amz-Expires=3600&X-Amz-Signature=321eaa30070a43c089ea170166abf8d7a73a8f3397423115d02e680f23d05cd0&X-Amz-SignedHeaders=host&x-id=GetObject)
Mauricio Román recreates Vera Molnar “1% de Désordre bleu et rouge” 1979:
![](https://prod-files-secure.s3.us-west-2.amazonaws.com/77ca4b85-795f-47db-acdd-f2a889574f86/89ac6484-1ab1-4ed4-af61-6df48f3c7aac/RTP_Participant_Work-page-007.jpg?X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Content-Sha256=UNSIGNED-PAYLOAD&X-Amz-Credential=AKIAT73L2G45HZZMZUHI%2F20240727%2Fus-west-2%2Fs3%2Faws4_request&X-Amz-Date=20240727T090053Z&X-Amz-Expires=3600&X-Amz-Signature=f0d824001db53f72407cd3960b58e53041f5807e75789f32eab02f12bd5e6013&X-Amz-SignedHeaders=host&x-id=GetObject)
![](https://prod-files-secure.s3.us-west-2.amazonaws.com/77ca4b85-795f-47db-acdd-f2a889574f86/9294dede-dca2-4f98-9e8a-5b56ec6f8ab4/RTP_Participant_Work-page-008.jpg?X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Content-Sha256=UNSIGNED-PAYLOAD&X-Amz-Credential=AKIAT73L2G45HZZMZUHI%2F20240727%2Fus-west-2%2Fs3%2Faws4_request&X-Amz-Date=20240727T090053Z&X-Amz-Expires=3600&X-Amz-Signature=b12c0ea34e83c886626d06df1712364968d0dfa1a1f450144f3146821df8cdfc&X-Amz-SignedHeaders=host&x-id=GetObject)
Shen-Shen Wu recreates Hassan Sharif “Dots, Lines, and Forms” 1984:
![](https://prod-files-secure.s3.us-west-2.amazonaws.com/77ca4b85-795f-47db-acdd-f2a889574f86/32e50541-5449-48d1-90e4-1e772360414a/RTP_Participant_Work-page-009.jpg?X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Content-Sha256=UNSIGNED-PAYLOAD&X-Amz-Credential=AKIAT73L2G45HZZMZUHI%2F20240727%2Fus-west-2%2Fs3%2Faws4_request&X-Amz-Date=20240727T090052Z&X-Amz-Expires=3600&X-Amz-Signature=eceae3599676f598072b935879706a7ca2c6b89aed957df38652d0ff52981d0d&X-Amz-SignedHeaders=host&x-id=GetObject)
![](https://prod-files-secure.s3.us-west-2.amazonaws.com/77ca4b85-795f-47db-acdd-f2a889574f86/94949f9d-d811-4955-b947-beb5fa66715f/RTP_Participant_Work-page-010.jpg?X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Content-Sha256=UNSIGNED-PAYLOAD&X-Amz-Credential=AKIAT73L2G45HZZMZUHI%2F20240727%2Fus-west-2%2Fs3%2Faws4_request&X-Amz-Date=20240727T090053Z&X-Amz-Expires=3600&X-Amz-Signature=f9548b6d8d2f4b5efe6d92cc177da63301264a7ee8cf22190f3c61c75188ff35&X-Amz-SignedHeaders=host&x-id=GetObject)
Sara K recreates Hassan Sharif's “Seven Points” (2013):
![](https://prod-files-secure.s3.us-west-2.amazonaws.com/77ca4b85-795f-47db-acdd-f2a889574f86/79850bb3-0a47-4842-9502-b1bb14966c7c/RTP_Participant_Work-page-011.jpg?X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Content-Sha256=UNSIGNED-PAYLOAD&X-Amz-Credential=AKIAT73L2G45HZZMZUHI%2F20240727%2Fus-west-2%2Fs3%2Faws4_request&X-Amz-Date=20240727T090053Z&X-Amz-Expires=3600&X-Amz-Signature=8726339a35676b2e60ab6a6ad93f890532ca1564f532d2bd247336d3301a40e2&X-Amz-SignedHeaders=host&x-id=GetObject)
![](https://prod-files-secure.s3.us-west-2.amazonaws.com/77ca4b85-795f-47db-acdd-f2a889574f86/8030ec94-64be-4322-b5ed-de0213a2276c/RTP_Participant_Work-page-012.jpg?X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Content-Sha256=UNSIGNED-PAYLOAD&X-Amz-Credential=AKIAT73L2G45HZZMZUHI%2F20240727%2Fus-west-2%2Fs3%2Faws4_request&X-Amz-Date=20240727T090052Z&X-Amz-Expires=3600&X-Amz-Signature=6b41a12e3884f9b85540471d2ca1ca418f16fed743100064964f4be3a8d29878&X-Amz-SignedHeaders=host&x-id=GetObject)
Mauricio Román recreates Muriel Cooper's “Teaching Children Thinking” 1970:
![](https://prod-files-secure.s3.us-west-2.amazonaws.com/77ca4b85-795f-47db-acdd-f2a889574f86/0733ac87-0131-467f-9a4f-3109db46787a/RTP_Participant_Work-page-013.jpg?X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Content-Sha256=UNSIGNED-PAYLOAD&X-Amz-Credential=AKIAT73L2G45HZZMZUHI%2F20240727%2Fus-west-2%2Fs3%2Faws4_request&X-Amz-Date=20240727T090053Z&X-Amz-Expires=3600&X-Amz-Signature=e735ee75f3024d7f1d8532c0f6dded82698a8271ae4873d29893727df4380705&X-Amz-SignedHeaders=host&x-id=GetObject)
![](https://prod-files-secure.s3.us-west-2.amazonaws.com/77ca4b85-795f-47db-acdd-f2a889574f86/b1ede7ed-d126-40fb-a79d-db8dd9d62c9d/RTP_Participant_Work-page-014.jpg?X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Content-Sha256=UNSIGNED-PAYLOAD&X-Amz-Credential=AKIAT73L2G45HZZMZUHI%2F20240727%2Fus-west-2%2Fs3%2Faws4_request&X-Amz-Date=20240727T090052Z&X-Amz-Expires=3600&X-Amz-Signature=bd3391747d8ca0452a73debc78522e0e0d52c22874cbeaed41cd351377b51740&X-Amz-SignedHeaders=host&x-id=GetObject)
Heidi He recreates Vera Molnar's “199039 Déhancement” 1990:
![](https://prod-files-secure.s3.us-west-2.amazonaws.com/77ca4b85-795f-47db-acdd-f2a889574f86/9b59a813-4ef7-4761-98a5-6b7c6a6377c2/RTP_Participant_Work-page-015.jpg?X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Content-Sha256=UNSIGNED-PAYLOAD&X-Amz-Credential=AKIAT73L2G45HZZMZUHI%2F20240727%2Fus-west-2%2Fs3%2Faws4_request&X-Amz-Date=20240727T090053Z&X-Amz-Expires=3600&X-Amz-Signature=1923ec8f9e8837df4061ab2a21b3631e122e86c8fbf981dddca8d47490d13d7b&X-Amz-SignedHeaders=host&x-id=GetObject)
![](https://prod-files-secure.s3.us-west-2.amazonaws.com/77ca4b85-795f-47db-acdd-f2a889574f86/ed82def3-95c5-49df-985e-70231dc45ed6/RTP_Participant_Work-page-016.jpg?X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Content-Sha256=UNSIGNED-PAYLOAD&X-Amz-Credential=AKIAT73L2G45HZZMZUHI%2F20240727%2Fus-west-2%2Fs3%2Faws4_request&X-Amz-Date=20240727T090053Z&X-Amz-Expires=3600&X-Amz-Signature=c162c528de5090015273f1a4ea16deb26f6fc3273a1ced13517a2947013914a6&X-Amz-SignedHeaders=host&x-id=GetObject)
Hiroyuki Sakamoto recreates John Maeda's “Morisawa 10” 1996:
![](https://prod-files-secure.s3.us-west-2.amazonaws.com/77ca4b85-795f-47db-acdd-f2a889574f86/4196b8a7-fe2f-4121-a160-c6d2df250052/RTP_Participant_Work-page-017.jpg?X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Content-Sha256=UNSIGNED-PAYLOAD&X-Amz-Credential=AKIAT73L2G45HZZMZUHI%2F20240727%2Fus-west-2%2Fs3%2Faws4_request&X-Amz-Date=20240727T090052Z&X-Amz-Expires=3600&X-Amz-Signature=501dabebdb88bac805dea3d79bc8641bdcda5d06bc532cf31e71d3aa734e84b7&X-Amz-SignedHeaders=host&x-id=GetObject)
![](https://prod-files-secure.s3.us-west-2.amazonaws.com/77ca4b85-795f-47db-acdd-f2a889574f86/6b9c2087-2814-41d9-b5ea-34978b7bbd11/RTP_Participant_Work-page-018.jpg?X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Content-Sha256=UNSIGNED-PAYLOAD&X-Amz-Credential=AKIAT73L2G45HZZMZUHI%2F20240727%2Fus-west-2%2Fs3%2Faws4_request&X-Amz-Date=20240727T090053Z&X-Amz-Expires=3600&X-Amz-Signature=1e2c6189217766640eb65cee01ec89bf85b15966d0891bacbf586d1fc08a88a8&X-Amz-SignedHeaders=host&x-id=GetObject)
Lillian-Yvonne Bertram recreates Jack Whitten “5 lines 4 squares” Unknown date*:
![](https://prod-files-secure.s3.us-west-2.amazonaws.com/77ca4b85-795f-47db-acdd-f2a889574f86/78979266-2ecf-4793-a631-4e19627ae717/RTP_Participant_Work-page-019.jpg?X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Content-Sha256=UNSIGNED-PAYLOAD&X-Amz-Credential=AKIAT73L2G45HZZMZUHI%2F20240727%2Fus-west-2%2Fs3%2Faws4_request&X-Amz-Date=20240727T090052Z&X-Amz-Expires=3600&X-Amz-Signature=75b3ce7d2a099cf183b0979facd6317dff48b4b86ead900081067905e4640a8d&X-Amz-SignedHeaders=host&x-id=GetObject)
![](https://prod-files-secure.s3.us-west-2.amazonaws.com/77ca4b85-795f-47db-acdd-f2a889574f86/42c22cdd-055c-419d-b08a-ca2f3beb216b/RTP_Participant_Work-page-020.jpg?X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Content-Sha256=UNSIGNED-PAYLOAD&X-Amz-Credential=AKIAT73L2G45HZZMZUHI%2F20240727%2Fus-west-2%2Fs3%2Faws4_request&X-Amz-Date=20240727T090052Z&X-Amz-Expires=3600&X-Amz-Signature=c79537fa66e9128775f3d1092835f9b2b109e6a7f144e547c8fd72eeeecaeba3&X-Amz-SignedHeaders=host&x-id=GetObject)
Lillian-Yvonne Bertram recreates John Whitney “Matrix” 1971:
![](https://prod-files-secure.s3.us-west-2.amazonaws.com/77ca4b85-795f-47db-acdd-f2a889574f86/43a1a963-6b87-447f-8c2a-2c3b53a5831f/RTP_Participant_Work-page-021.jpg?X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Content-Sha256=UNSIGNED-PAYLOAD&X-Amz-Credential=AKIAT73L2G45HZZMZUHI%2F20240727%2Fus-west-2%2Fs3%2Faws4_request&X-Amz-Date=20240727T090053Z&X-Amz-Expires=3600&X-Amz-Signature=43b9cb386e0e7a24e156da4d4289086e36f8dcacc0ff9056bb1337642b43d988&X-Amz-SignedHeaders=host&x-id=GetObject)
![](https://prod-files-secure.s3.us-west-2.amazonaws.com/77ca4b85-795f-47db-acdd-f2a889574f86/26b324a4-d9a3-4f09-a0dd-ae027d8543f2/RTP_Participant_Work-page-022.jpg?X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Content-Sha256=UNSIGNED-PAYLOAD&X-Amz-Credential=AKIAT73L2G45HZZMZUHI%2F20240727%2Fus-west-2%2Fs3%2Faws4_request&X-Amz-Date=20240727T090053Z&X-Amz-Expires=3600&X-Amz-Signature=42cd0a39486072f97c73ee792c94564768e60af03978f27abf02067af3bd95a2&X-Amz-SignedHeaders=host&x-id=GetObject)
Mauricio Román recreates John Whitney “Permutations” 1968:
![](https://prod-files-secure.s3.us-west-2.amazonaws.com/77ca4b85-795f-47db-acdd-f2a889574f86/c3f6a507-43af-4f4d-ae87-0e8389296bd8/RTP_Participant_Work-page-023.jpg?X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Content-Sha256=UNSIGNED-PAYLOAD&X-Amz-Credential=AKIAT73L2G45HZZMZUHI%2F20240727%2Fus-west-2%2Fs3%2Faws4_request&X-Amz-Date=20240727T090053Z&X-Amz-Expires=3600&X-Amz-Signature=baf7f15dab5ad3f2f7187e5329bab38433d39883cc4d27b042b8ea80ef367630&X-Amz-SignedHeaders=host&x-id=GetObject)
![](https://prod-files-secure.s3.us-west-2.amazonaws.com/77ca4b85-795f-47db-acdd-f2a889574f86/da641785-7405-4da6-a18d-d5b9af2ec601/RTP_Participant_Work-page-024.jpg?X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Content-Sha256=UNSIGNED-PAYLOAD&X-Amz-Credential=AKIAT73L2G45HZZMZUHI%2F20240727%2Fus-west-2%2Fs3%2Faws4_request&X-Amz-Date=20240727T090053Z&X-Amz-Expires=3600&X-Amz-Signature=f4e2fac388d4a5ec0891e6ebb91921f4c8ae0f3e38ae652bf13ca460fb3c3930&X-Amz-SignedHeaders=host&x-id=GetObject)
Sara K recreates Mary Ellen Bute's “SYNCHROMY N°2 - O EVENING STAR” 1968:
![](https://prod-files-secure.s3.us-west-2.amazonaws.com/77ca4b85-795f-47db-acdd-f2a889574f86/92201470-1bef-4aa1-a42f-dc6da922d1eb/RTP_Participant_Work-page-025.jpg?X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Content-Sha256=UNSIGNED-PAYLOAD&X-Amz-Credential=AKIAT73L2G45HZZMZUHI%2F20240727%2Fus-west-2%2Fs3%2Faws4_request&X-Amz-Date=20240727T090053Z&X-Amz-Expires=3600&X-Amz-Signature=2aeeac5799accf056558297c2628fb791783faba6354d900d02b35d633b152f1&X-Amz-SignedHeaders=host&x-id=GetObject)
![](https://prod-files-secure.s3.us-west-2.amazonaws.com/77ca4b85-795f-47db-acdd-f2a889574f86/05b1f414-6a05-4fa0-82f2-3cf8029dac60/RTP_Participant_Work-page-026.jpg?X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Content-Sha256=UNSIGNED-PAYLOAD&X-Amz-Credential=AKIAT73L2G45HZZMZUHI%2F20240727%2Fus-west-2%2Fs3%2Faws4_request&X-Amz-Date=20240727T090053Z&X-Amz-Expires=3600&X-Amz-Signature=2a3588128c286ede050dce5e010ff2cea419dbc40659cc398c90bb5d498f8a3b&X-Amz-SignedHeaders=host&x-id=GetObject)
Matthis Grunsky recreates Xylor Jane's “Dinnertime” 2020:
![](https://prod-files-secure.s3.us-west-2.amazonaws.com/77ca4b85-795f-47db-acdd-f2a889574f86/c7afee87-3e08-429c-96aa-884089b22143/RTP_Participant_Work-page-027.jpg?X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Content-Sha256=UNSIGNED-PAYLOAD&X-Amz-Credential=AKIAT73L2G45HZZMZUHI%2F20240727%2Fus-west-2%2Fs3%2Faws4_request&X-Amz-Date=20240727T090053Z&X-Amz-Expires=3600&X-Amz-Signature=b124577373245239171faf1f0a82548471ab7ea0d3f1ac1cf6cd1277e6826575&X-Amz-SignedHeaders=host&x-id=GetObject)
![](https://prod-files-secure.s3.us-west-2.amazonaws.com/77ca4b85-795f-47db-acdd-f2a889574f86/3d30e08f-f7da-4377-bc56-26ebbca222a2/RTP_Participant_Work-page-028.jpg?X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Content-Sha256=UNSIGNED-PAYLOAD&X-Amz-Credential=AKIAT73L2G45HZZMZUHI%2F20240727%2Fus-west-2%2Fs3%2Faws4_request&X-Amz-Date=20240727T090053Z&X-Amz-Expires=3600&X-Amz-Signature=49692dab13fe5390c21c1642f810a41e5e109085d1397add96a0f979946332ba&X-Amz-SignedHeaders=host&x-id=GetObject)
Anna Rulloda recreates Hassan Sharif “Iron No. 3” 2020:
![](https://prod-files-secure.s3.us-west-2.amazonaws.com/77ca4b85-795f-47db-acdd-f2a889574f86/4d37ab8d-356e-4355-b096-709fbcdd7f0f/RTP_Participant_Work-page-029.jpg?X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Content-Sha256=UNSIGNED-PAYLOAD&X-Amz-Credential=AKIAT73L2G45HZZMZUHI%2F20240727%2Fus-west-2%2Fs3%2Faws4_request&X-Amz-Date=20240727T090053Z&X-Amz-Expires=3600&X-Amz-Signature=17f0325c7e532787ff6f5f77fc9f60fe65fc7798ca79e85f1cbb6d13d056e4dd&X-Amz-SignedHeaders=host&x-id=GetObject)
![](https://prod-files-secure.s3.us-west-2.amazonaws.com/77ca4b85-795f-47db-acdd-f2a889574f86/5461945c-b55c-4fc1-abdd-26a615344093/RTP_Participant_Work-page-030.jpg?X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Content-Sha256=UNSIGNED-PAYLOAD&X-Amz-Credential=AKIAT73L2G45HZZMZUHI%2F20240727%2Fus-west-2%2Fs3%2Faws4_request&X-Amz-Date=20240727T090053Z&X-Amz-Expires=3600&X-Amz-Signature=a83289501f8791b7c239a2b442b0a83ebcb5f24a4f104ef0ccb6f9c533a5495e&X-Amz-SignedHeaders=host&x-id=GetObject)