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Radio Radius: Mini FM and DIY Networks

Teachers
Bryant Wells, Miguel Gajdos
Guests
Geng PTP, Lina Chang, Babette Thomas
Date
March 28, 2025 to May 9, 2025 (7 classes)
Time
Fridays, 2-4pm ET
Location
Hybrid Online (Zoom) and In-Person at Creative Time Headquarters (59 E 4th St Floor 7, New York, NY 10003)
Cost
$1000 Scholarships available learn more...
Deadline
Applications open until February 2, 2025

Apply Now

Description

Radius Radio is a class and conversation series that explores the potential of low-power FM radio as a tool for connection and artistic expression. Mini-FM, a do-it-yourself broadcasting method popularized by media activist Tetsuo Kogawa, serves as both a model and counterpoint to globalized media networks, emphasizing intimacy, ephemerality, and hyper-locality. Throughout the class, students will hear from guest practitioners working at the intersection of sound, radio, and site-specific art. These artists, musicians, and community organizers will share insights into radio’s creative possibilities, the cultural significance of sound systems, and broadcasting as a medium for storytelling and social connection. Students will build their own transmitters, capable of transmitting within a one to three block radius, and create site-specific broadcasts responding to their environment and local communities. Together, we will explore the liberatory histories of sound and free radio, examine radio as an art form, and engage with the electromagnetic spectrum as a medium.

Images courtesy of teachers and guests.

Course of Study

  • Week 1: Introductions, Sound Walk (in-person)
  • Week 2: Guest Conversation: Sound Systems and Gathering (online)
  • Week 3: Workshop (Part 1) (in-person)
  • Week 4: Guest Conversation: Site-Specific Radio (online)
  • Week 5: Workshop (Part 2) (in-person)
  • Week 6: Guest Conversation: Community Radio (online)
  • Week 7: Broadcast & Reflection (online)

Disclaimer

Applicants based locally in NYC and the surrounding NY Metropolitan or Tri-State Area will be prioritized for this class. Limited seats are available for non-local applicants.

Hybrid Format

  • Attendance for in-person classes is optional, but encouraged. It is possible to only participate in this class online.
  • Online-only classes will be labeled on the syllabus and held on Zoom.
  • All applicants must be willing to cover their own travel and accommodations in order to attend in-person classes.
  • All in-person attendees must participate in COVID-19 Safety and Precautions (see below).

About the Venue

Our classroom space is hosted by Creative Time Headquarters (CTHQ). CTHQ is a gathering space supporting artists working at the intersection of art and politics as they continue to plot, orchestrate, and recharge from cultural, political and social organizing work. The space is rooted in the legacy of art and activism, in the rebelliousness of artist-organizers in the Lower East Side such as self-organized neighborhood art, health and education centers, experimental theater, protest collectives, and community-owned housing, cultural and greenspaces, to claim and shape space for artistic and political production. Additionally, CTHQ sits within Creative Time’s historic and ongoing work to gather artists to share tactics for political change most notably through the Creative Time Summit, Creative Time Reports, and its Global Fellowship. Growing within a lineage of visionary and transgressive creative moments, CTHQ serves as a hub for today and tomorrow’s community of socially engaged and politically oriented artists in the neighborhood, citywide, across the country, and around the world.

COVID-19 Safety and Precautions

In-person attendees will be required to provide proof of up-to-date vaccination status (including the 2024-2025 booster) to attend. Students, teachers and staff are expected to be masked during class. Before the first and last day of class, all participants will be expected to show a negative result on a COVID test.

Expectations

Time & Workload
  • Students should plan to dedicate two to three hours per week outside of class for hands-on building, project development, or assigned reading/listening.
  • The class will culminate in a 30-minute broadcast, transmitted locally and archived in a shared communal archive.
Technical Experience

No prior technical knowledge is required, but students should expect to engage with some light technical work like the basics of soldering and building a low-power FM transmitter.

Materials

Students must provide their own laptop with a camera (for online resources, documentation, remote check-ins, etc.)

Cost of tuition includes the following materials which will be provided for participants:

  • Hardware tools including: soldering iron, solder, tweezers
  • Hardware parts to build a mini FM transmitter
  • FM radio receiver with speaker

Is this class for me?

This class may be for you if you:

  • Are curious about the relationship between sound, technology, and community engagement.
  • Have an interest in radio, DIY media, or the creative use of broadcasting.
  • Have little experience, but enjoy hands-on learning and want to build your own radio transmitter.

Meet the Teachers & Guests

teacher

Bryant Wells

Bryant Wells is a New York-based designer who works independently and collaboratively with artists, writers, musicians, and institutions to create websites, publications, identities, and objects. His practice explores the political and cultural affects shaping networked communication, and the metaphorical and material implications of "what’s in the air.”

he/him · website

teacher

Miguel Gajdos

Miguel is a designer based in New York, NY, collaborating with partners and clients on strategic interdisciplinary projects. He maintains an explorative art practice integrating research and critical interests in digital and material cultures, philosophies of ecology and technology, and artifacts of our collective pasts and futures. Holding an MFA from Yale School of Art, he has led creative workshops and lectures, and his work has been part of local and international exhibitions and events.

he/him · website · instagram

guest

Geng PTP



· instagram

guest

Lina Chang



· website

guest

Babette Thomas



· website

How do I apply?

Apply Now

Applications open until Applications closed on February 2, 2025.

You can expect to hear back from us about the status of your application on February 18, 2025. Please email us at admissions@sfpc.study with any questions you have.

How much does it cost to attend?

For 7 classes, it costs $1000 + processing fees, for a one-time payment. We also offer payment plans. Participants can schedule monthly payments of the same amount. First and last payments must be made before the start and end of class. *Processing fees apply for each payment.

SFPC processes all payments via Withfriends and Stripe. Please email admissions@sfpc.study if these payment options don't work for you.

Applicant FAQ

For more information about what we look for in applicants, scholarships, and other frequently asked questions, please visit our applicant FAQ.

Interested in more learning opportunities at the School for Poetic Computation? Join our newsletter to stay up to date on future sessions and events, and follow us on Instagram and Twitter. Support our programming through scholarships. Get in touch over email.