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Counterveillance

Format
Single-day workshop
Teachers
American Artist
Date
April 21, 2026
schedule
6:00–9:00 PM
Location
Leslie-Lohman Museum of Art (26 Wooster St, New York, NY 10013)
Cost
$300 Full scholarship and solidarity rate tickets will be released two weeks before workshop. Sign-up for our newsletter to be notified
Deadline
Sign-ups open until April 14, 2026. No application necessary.

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Description

What is the difference between being ,seen, and being ,watched?, As geotagged devices with cameras and microphones become as ubiquitous as doorknobs, society’s sousveillers are tasked with imagining what an affirmative lens looks and feels like. In this workshop, participants will engage their memories of surveillance and anti-surveillance across their lives. Following an artist talk and lecture, participants will work with American Artist to create tools and practices they can use to approach ,veillance, critically in their daily lives.

Images courtesy of teachers.

Technical Experience

No prior technical experience required

Is this class for me?

This class may be for you if you:

  • Are an artist or designer who wants to know more about surveillance technology.
  • Want to engage with critical theory for the first time, or have experience with it.
  • Recently finished a degree program, or are on the fence about whether to enter one.
  • Are a coder or tech worker and you want to think more critically about surveillance.
  • Are NOT a coder or tech worker but you want a deeper understanding of how surveillance impacts your life.

Meet the Teachers

teacher

American Artist

American Artist makes thought experiments that mine the history of technology, race, and knowledge production, beginning with their legal name change in 2013. Their work engages anti-Black state violence, surveillance, and criminalization, such as predictive policing. Artist is a 2022 Creative Capital and United States Artists grantee, and a recipient of the 2021 LACMA Art & Tech Lab Grant. They have exhibited at the Whitney Museum of American Art; MoMA PS1; Studio Museum in Harlem; Museum of Contemporary Art Chicago; Kunsthalle Basel, CH; and Nam June Paik Center, Seoul. They have had solo museum exhibitions at The Queens Museum, New York and The Museum of African Diaspora, California. Their work has been featured in The New York Times, Artforum, and Huffington Post. Artist is a part-time faculty at Parsons, NYU and UCLA and a co-director of the School for Poetic Computation.

they/him · website · twitter · instagram

How do I apply?

Sign Up Now

Applications are not required for workshops. Signups will remain open as long as seats remain. A limited number of scholarship tickets will be released via the SFPC email list two weeks before the date of the intensive.

How much does it cost to attend?

For 1 classes, it costs $300 + processing fees, for a one-time payment. We also offer payment plans. Participants can schedule monthly payments of the same amount. First and last payments must be made before the start and end of class. *Processing fees apply for each payment.

SFPC processes all payments via Withfriends and Stripe. Please email admissions@sfpc.study if these payment options don't work for you.

Applicant FAQ

For more information about what we look for in applicants, scholarships, and other frequently asked questions, please visit our applicant FAQ.

Interested in more learning opportunities at the School for Poetic Computation? Join our newsletter to stay up to date on future sessions and events, and follow us on Instagram and Twitter. Support our programming through scholarships. Get in touch over email.