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What do we have to learn from computer viruses, web scraping and primitive hypertext? Three seemingly disparate subjects of learning will carry us into and through the Fall season at SFPC. Join us!

Fall 2022 is organized by Zainab Aliyu Zainab "Zai" Aliyu is an artist and cultural worker whose work is about the material affect of the "immaterial." She contextualizes the cybernetic and temporal entanglement embedded within societal dynamics to understand how all sociotechnological systems of control are interconnected, and how we are all implicated through time. She often dreams, experiments and inquires through built virtual environments, printed matter, video, archives, writing, installation and community-participatory (un)learning. Zai is currently a 2022 fellow at NYU Tisch's Future Imagination Collaboratory, design director for the African Film Festival at the Film at Lincoln Center in NYC and a co-director of the School for Poetic Computation. Neta Bomani Neta Bomani is a learner and educator who is interested in understanding the practice of reading and parsing information as a collaborative process between human and non-human computers. Neta’s work combines social practices, workshops, archives, oral histories, computation, printmaking, zines, and publishing, to create artifacts that engage abolitionist, black feminist, and do-it-yourself philosophies. Neta received a graduate degree in Interactive Telecommunications from the Tisch School of the Arts at New York University. Neta has taught at the School for Poetic Computation, the New School, New York University, Princeton University, the University of Texas, and in the after school program at P.S. 15 Magnet School of the Arts in Brooklyn, NY. Neta has studied under American Artist, Fred Moten, Kameelah Janan Rasheed, Mariame Kaba, Ruha Benjamin, Simone Browne, and many others who inform Neta’s work. Neta’s work has appeared at the Queens Museum, the Barnard Zine Library, The Kitchen, and the Met Library. Neta is one of seven co-directors at the School for Poetic Computation, and one of two co-directors at Sojourners for Justice Press, an imprint of Haymarket Books. Galen Macdonald Galen Macdonald is an artist and arts organizer based in Tkaronto/Toronto whose work currently straddles hand craft, kinetic sculpture, poetry, and new media. He uses whatever tools are available to make delicate and limited tools for communication. and Melanie Hoff As an artist, educator, and organizer, Melanie studies the role that technology plays in social organization and in reinforcing hegemonic structures. They are co-director of the School for Poetic Computation and a founding member of Hex House and the Cybernetics Library. Melanie strives to cultivate spaces of learning and feeling that encourage honesty and reconciliation for the ways we are shaped by systems of gender, racialization, class, and the trauma these systems inscribe upon our bodies. . It includes classes with Kameelah Janan Rasheed A learner, Kameelah Janan Rasheed (she/they), grapples with the poetics-pleasures-politics of Black knowledge production, information technologies, [un]learning, and belief formation. They are a recipient of a 2022 Creative Capital Award and a 2021 Guggenheim Fellowship in Fine Arts. Rasheed is the author of three artist’s books: An Alphabetical Accumulation of Approximate Observations (Endless Editions, 2019), No New Theories (Printed Matter, 2019), and the digital publication Scoring the Stacks (Brooklyn Public Library, 2021). Their writing, has appeared in Triple Canopy, The New Inquiry, Shift Space, Active Cultures, and The Believer. Todd Anderson Todd Anderson is a digital poet, software artist and educator based in New York City. He has been making experimental software art for over 10 years including the live interactive poetry project Hotwriting, the Chrome Extension ARG 'An Experience', the performance-inside-the-browser extension HitchHiker, and a multiple plays and performances with the multidisciplinary group H0t Club. He is a co-director of the School for Poetic Computation and one of the organizers of Babycastles, a video game gallery and event space in NYC. He is perhaps best known as the host and curator of WordHack, the monthly language+technology talk series running every third Thursday at Babycastles (and online) since 2014. and Sam Lavigne Sam Lavigne is an artist and educator whose work deals with data, surveillance, cops, natural language processing, and automation. He has exhibited work at Lincoln Center, SFMOMA, Pioneer Works, DIS, Ars Electronica, The New Museum, the Smithsonian American Art Museum, and his work has been covered in the New Yorker, the Washington Post, the Guardian, Motherboard, Wired, the Atlantic, Forbes, NPR, the San Francisco Chronicle, the World Almanac, the Ellen Degeneres Show and elsewhere. He has taught at ITP/NYU, The New School, and the School for Poetic Computation, and was formerly Magic Grant fellow at the Brown Institute at Columbia University, and Special Projects editor at the New Inquiry Magazine. He is currently an Assistant Professor in the Department of Design at UT Austin. .

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