School
for
Poetic
Computation
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The sun will be shining this Summer and we are bringing you two hot, new classes. Alternative Typographic Histories asks: What if the evolution of language technology had followed a non-western centric path? How have non-Latin scripts, such as written Arabic, been affected by the constraints of western-centric technologies? Experiments in Networked Performance asks: What does performance mean when the audience is a participant? Can we experience connections in tangible ways regardless of distance?
The two classes we're offering for Summer challenge everyday technologies and expand their capacity to deepen the understanding of our world and evolve outside of the western-centric canon.
The sun is shining, the shadows are longer, and the possibility for new perspectives glows: join us to think about technological structures as moldable systems, new typographic machines and ways to embody digital performance.
Summer 2023
is
organized by
Zainab Aliyu
Zainab "Zai" Aliyu is an artist and cultural worker whose work is about the material affect of the "immaterial." She contextualizes the cybernetic and temporal entanglement embedded within societal dynamics to understand how all sociotechnological systems of control are interconnected, and how we are all implicated through time. She often dreams, experiments and inquires through built virtual environments, printed matter, video, archives, writing, installation and community-participatory (un)learning. Zai is currently a 2022 fellow at NYU Tisch's Future Imagination Collaboratory, design director for the African Film Festival at the Film at Lincoln Center in NYC and a co-director of the School for Poetic Computation.
Neta Bomani
Neta Bomani is a learner and educator who is interested in understanding the practice of reading and parsing information as a collaborative process between human and non-human computers. Neta’s work combines social practices, workshops, archives, oral histories, computation, printmaking, zines, and publishing, to create artifacts that engage abolitionist, black feminist, and do-it-yourself philosophies. Neta received a graduate degree in Interactive Telecommunications from the Tisch School of the Arts at New York University. Neta has taught at the School for Poetic Computation, the New School, New York University, Princeton University, the University of Texas, and in the after school program at P.S. 15 Magnet School of the Arts in Brooklyn, NY. Neta has studied under American Artist, Fred Moten, Kameelah Janan Rasheed, Mariame Kaba, Ruha Benjamin, Simone Browne, and many others who inform Neta’s work. Neta’s work has appeared at the Queens Museum, the Barnard Zine Library, The Kitchen, and the Met Library. Neta is one of seven co-directors at the School for Poetic Computation, and one of two co-directors at Sojourners for Justice Press, an imprint of Haymarket Books.
Galen Macdonald
Galen Macdonald is an artist and arts organizer based in Tkaronto/Toronto whose work currently straddles hand craft, kinetic sculpture, poetry, and new media. He uses whatever tools are available to make delicate and limited tools for communication.
Melanie Hoff
As an artist, educator, and organizer, Melanie studies the role that technology plays in social organization and in reinforcing hegemonic structures. They are co-director of the School for Poetic Computation and a founding member of Hex House and the Cybernetics Library. Melanie strives to cultivate spaces of learning and feeling that encourage honesty and reconciliation for the ways we are shaped by systems of gender, racialization, class, and the trauma these systems inscribe upon our bodies.
and
Todd Anderson
Todd Anderson is a digital poet, software artist and educator based in New York City. He has been making experimental software art for over 10 years including the live interactive poetry project Hotwriting, the Chrome Extension ARG 'An Experience', the performance-inside-the-browser extension HitchHiker, and multiple plays and performances with the multidisciplinary group H0t Club. He is perhaps best known as the host and curator of WordHack, the monthly language+technology talk series in NYC running every third Thursday since 2014. .
It includes classes with
Hind Al Saad
Hind Al Saad is a computational artist and teacher, based in Doha. She is interested in creating emergent graphical forms, both physical and digital, using procedural and analog systems, and exploring the endless ways finite rules can create infinite results.
Todd Anderson
Todd Anderson is a digital poet, software artist and educator based in New York City. He has been making experimental software art for over 10 years including the live interactive poetry project Hotwriting, the Chrome Extension ARG 'An Experience', the performance-inside-the-browser extension HitchHiker, and multiple plays and performances with the multidisciplinary group H0t Club. He is perhaps best known as the host and curator of WordHack, the monthly language+technology talk series in NYC running every third Thursday since 2014.
Tiri Kananuruk
Bangkok-born, New York-based Tiri Kananuruk is a performance artist and educator. Her works focus on the manipulation of sound, the disruption of time. How technologies change the meaning and the ways we communicate. She utilizes mistakes, both human and machine, as means of improvisation. She holds a BA in Exhibition Design from Chulalongkorn University in Bangkok, and a Master in Interactive Telecommunications from Tisch School of the Arts at New York University. Tiri has lectured at the University of the Arts in Philadelphia and the School for Poetic Computation. She is currently an adjunct professor at Collaborative Arts, New York University. She was a new media artist resident at Mana Contemporary (2019), CultureHub New York (2020), Barnard Movement Lab (NUUM)(2020), and Media Art Exploration (NUUM)(2021). She is a founding member of NUUM collective. She is a co-founder of MORAKANA along with Sebastián Morales.
and
Levi Hammett
Born in a cabin without electricity in the remote mountains of northern California, Levi Hammett developed a deep interest in geographic space together with the concept and process of location. Raised in a blue collar family he worked as a sign painter and carpenter before pursuing a formal education in design focusing on coding and automation. This background developed into a creative practice that uses computational processes to inform the creation of handmade design objects rooted in traditions of craft. The resulting products use ambiguity and open interpretation to critically engage users with unconventional views of spatial-cultural phenomena. His design work includes a series of hand-made Islamic carpets that explore the urban culture of the Arabian Peninsula, a kinetic installation using 40 printers suspended from the ceiling outputting procedurally generated visual content, and an interactive audio/visual installation for the World War II Normandy Visitors Center in France. His work has been acquired by a number of individuals and institutions, published in print and online collections, distributed as digital applications, and exhibited in Asia, Europe, the Middle-East, South America, and the United States. Levi Hammett received his MFA in Graphic Design from the Rhode Island School of Design in 2006. .
Applications closed.
Session promotion design by Livia Foldes.
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